Rachel Loy kicked off the St. Patrick’s Day festivities Thursday (3/17) at Momo’s, clad in green and starting the night with a great mix of smart, playful and very tuneful adult pop.
Grammy nominee Tift Merritt raised the roof at the venerable Troubadour nightclub on Friday night, making good on the promises that 2004’s “Tambourine” laid out for her.
It’s the annual ritual of music journalists everywhere: the end-of-year best list. My editor at liveDaily.com asked for a top ten, but the stacks of CDs in the office were too tall to limit my personal list to just that.
Brian Setzer, in fine voice and slinging his trademark Gretch guitar, brought an old-time variety show vibe to the Universal Amphitheatre on Saturday night (12/18).
In her return to Los Angeles, Welsh singer-songwriter Jem brought the hits but lost some of the intimacy that made her earlier visit crackle with energy.
Working through a bout of allergy / sinus issues most of the day, I was on the fence about venturing into clubland to see Bob Schneider and opening act Aslyn. An invite from Aslyn’s publicist made the choice a lot easier – you don’t take comp tix for granted.
On Friday (12/3), Jane Monheit winked, wiggled and used her considerable vocal talents to dazzle in a solid but short-feeling show.
Turn this one up. Great garage-band rock out of Boston. Thanks to CMJ and Pitchfork for pointing them out. I see a lot of editorial space comparing them to early Who and Thin Lizzy and James Gang, but am I the only one who hears some early KISS knocking around in there? “100,000 Years,” anyone?
There’s live review on this site of Joss Stone’s SXSW performance in March. I first heard her on NPR, probably late in 2003. I still hold to the belief that she’s got a very rare instrument in that incredible voice.
I’m not sure where I originally stumbled upon this, but I’m quite fascinated by it. Whitman is known in electronica circles by his alter-ego “Krvastki.”